Now that my first round of color-centric cinematography posts is wrapped up, I wanted to pause and explore a couple of other themes. These seven frames all feature fireworks and sparks as a focal point. It’s exciting to see how such a variety of movies uses a similar item in a variety of ways for a variety of reasons.
Disclaimer: Thus far, I have only posted frames from films I’ve watched and that is a habit I have every intention of sticking to. However, the below frame from The Theory of Everything popped up on my dash and was such a perfect addition that I had to include it. This will be the very rare exception of including a frame that wasn’t hand-picked after a viewing.
The use of expansive spaces on screen most often serves one of two purposes: to draw the eye towards something or someone, or to highlight the enormity (and sometimes hopelessness) of a specific situation. Expansive spaces can be used to highlight the hopelessness of a single person stumbling across an icy wasteland, or to emphasize a focal point of importance or beauty. Below, you can see some of my favorite frames that use skies and sand for one (or maybe even both) of the above purposes.