Spring is almost here! While the first day of spring is still officially a week away, the beginning of March always feels like the beginning of the new season for me. Like my fall media intake, this winter was pretty visually inclined as well. Here are my top five favorites from the past several months!
I know I’m late to this party, but wow. What a treat this film is. Stoker has long been one of my favorite films, so I don’t know why I waited so long to check out another Park Chan-wook project. The structure of the film is impeccable, the varying POVs is seamless, the set and costume design is gorgeous, and the cinematography is absolutely stunning. I watched the movie without knowing anything about the storyline (something I’m a huge fan of doing and highly recommend), so I was completely caught off guard by the plot twists and resolutions. This is now up there with Carol in terms of my favorite love stories, and one I’m super eager to watch again.
Six of Crows
I mentioned this duology in my recent post about book series, so I won’t talk about it too much here. However, coming from someone who hated the Grisha trilogy, Six of Crows and Crooked Kingdom were so enjoyable. There’s a great character lineup, government infiltration, solid representation, and of course magic and assassins. It’s rare to read a book that successfully meshes six MCs and their point of views, but Bardugo executes it surprisingly seamlessly. Each character is unique and has their own set of driving forces and issues, but they interact as a group as well. I almost didn’t give these books a chance because of my dislike for the Grisha trilogy, but I’m so glad I did. (Artist credit here)
Another one I’ve mentioned recently, this movie was directed by Jocelyn Moorhouse and was my female director pick for January. I love good costume design in a film, and in that regard, this viewing was delightful down to the last detail. Considering I can count on one hand all of the Kate Winslet movies I’ve ever seen, it seems noteworthy that she has ended up on my list of favorites both this season and last season. This is an Australian movie from 2015, based on the book by Rosalie Ham. If you’ve been following my cinematography posts, you might have noticed the name Donald McAlpine pop up a lot. He’s an extremely talented DP who happens to have worked on many of my favorite films. He has an extraordinary eye for framing, and this project is no exception.
The End of the F***ing world
Okay. So I first binge watched this when it was released, and really really enjoyed it. I talked about what it does right in my mini-review on You, but didn’t go very in depth. I just rewatched it again in January, and being aware of the storyline allowed me to really absorb the chemistry and characterization of the two main characters. Their on-screen interactions are so natural and charged, and it was a stroke of genius to include both of their internal narratives in tandem. The soundtrack is absolute perfection as well, and overall it’s a show worthy of multiple viewings. (I recommend watching all the episodes in quick succession, preferably in one day if possible. It allows the story to build and the character connections to become more tangible.)
Because I included The Last Jedi on my last favorites list, I was hoping to include another accessible blockbuster here… which ended up being entirely too easy after seeing Black Panther. I’ve been struggling with pacing in a lot of recent releases, and while I felt the same about Black Panther, Ryan Coogler absolutely knocked this out of the park in virtually every regard. This is a beautiful and empowering and important story, filled with impeccable casting and paired with a stellar soundtrack. The costume design was flawless (more to come on Ruth E. Carter in a future post) and Coogler’s inspiration from Ta-Nehisi Coates (who is undeniably one of the most talented writers of our time) made this script sing. Representation matters, and bearing witness to how uplifting and important this story is has been nothing short of magical. As Christopher Orr aptly puts it: Black Panther is more than a superhero movie. (Bonus: the second after-credits sequence was enough to make my heart implode.)
So there you have it! These were my top five favorites from this winter. Did you read or watch anything this over the past several months that stood out to you? If so, let me know in the comments!
In film, a reflection is rarely just a reflection. It says something about the character, about the moment, about what is being realized or learned or considered. Zack Sharf says: “A mirror shot is never just a mirror shot, and each image speaks volumes to the respective movie’s themes.” Duality, turmoil, hesitation, tranquility– reflections often allude to the fact that there is more going on beneath the surface than the character has admitted to. Below are some of my recent favorite reflections.
I never thought I’d be writing a “review” for a Did Not Finish but I think people deserve to be warned about the dumpster fire that is this novel.
I’m pretty sure this is a new DNF record for me– I only made it six pages before giving up in disgust. I picked it up after seeing a review on Emma’s blog saying it was one of her only favorites of 2017.
It’s essentially a stream-of-consciousness narrative, written in 2nd person. So basically, you’re reading everything that our narrator is thinking. Which would be really great, if our narrator wasn’t a hyper-pretentious, misogynistic man-child and a judgmental piece of trash. Here’s some of the standout lines from the first two chapters:
- Your V-neck sweater is beige and it’s impossible to know if you’re wearing a bra but I don’t think that you are. (Congrats, Joe. You managed to make me hate you by the second sentence of the entire book.)
- “No, you’re not like those girls. You don’t stage Faulkner and your jeans hang loose.” (Anything along the lines of “you’re not like other girls” is an instant and enormous red flag for me.)
- “You sneeze, loudly, and I imagine how loud you are when you climax.”
- “This guy is, what, thirty-six and he’s only now reading Franny and Zooey?”
- “You could be buying it because you read on some stupid blog that she’s Courtney Love’s biological grandmother. I can’t be sure that you’re buying Paula Fox because you came to her the right way, from a Jonathan Franzen essay.” (FYI: there is no ‘right way’ to come across a book or a song or a movie. Different people have access to different things and it’s great that a wonderful piece of literature crossed their path, regardless of how it got there.)
- “You giggle and I wish your nipples were still hard.”
- “You hand me your credit card even though you have enough cash in there to cover it. You want me to know your name.” (Or you’re an arrogant garbage boy who can’t conceive of people allocating money for things other than you.)
- “He waits near her apartment and stages a run-in. Brilliant, romantic. Love takes work.” (Idolizes the stalking is love trope, naturally.)
- “Nobody, not even the rain, has such small hands. Except for you, Beck. These past few days, I’ve learned so much. You put your tiny hands to work on yourself when the mood strikes, which it does, often, which reminds me of another joke in Hannah, where Mia Farrow teases Woody Allen that he ruined himself with excessive masturbation.”
- “Besides, I like that you take care of yourself instead of filling your home and your pussy with a string of inadequate men.” (Add a nice dollop of slut shaming and Danielle is out of here.)
I dropped the book after that line. My hypothesis was that Joe was intentionally written to be abrasive and appalling, but I really don’t want to spend my time absorbing an entire book from the POV of an awful person. So I went to goodreads and read the blurb, then proceeded to read all the spoilers, then all the one-star reviews to assure myself that I wasn’t the only one disgusted by this. Then I finally read Emma’s review.
The thing is, I totally get what she’s saying.
It is creepy, because it’s so within the realm of possibility that a boy at the store finds you attractive and then takes it too far. I can understand, in theory, why people like and connect with the book. But I can’t justify sitting through so much slop for a trite and violent end. Perhaps the plot would have been better packaged in a different narrative style to make the entire ordeal feel less normalized? Because that’s what this book does: normalize stalking and violence and the sexualization of strangers.
At least half of the 4 and 5 star reviews I read on goodreads talked about they found themselves rooting for Joe during the book. How even though they know he’s gross and sadistic, they still sympathize with his character. And on one hand, I absolutely think that’s an impressive feat for a writer: to have written their villain well enough that people can associate with him on a human level. But on the other hand, that’s just downright disturbing. That would be like telling Hard Candy from the POV of the pedophile. There is no excuse, no logic, no justification for stalking a stranger and killing people to reach her.
I watched the new Netflix original series The End of the F***ing World last week and was surprised to find that the first episode has a similar premise to this book. A troubled young white male targets a firecracker of a young white female and shenanigans ensue. Except the show handles it deftly and tenderly and creatively. There isn’t any hyper-sexualization of female characters, there aren’t endless asides about how subpar other people are because they don’t like the “right” things, and there isn’t any excessive vulgarity used for the sole sake of shock effect. Because the show is still new, I’m not going to say much about it for those who haven’t watched it yet. But I will say this: it’s a tender coming-of-age story in a wholly unique frame. If you tried to read You and couldn’t make it past the third chapter, try watching The End of the F***ing World.