I’d be lying if I said series, both in books and in film, don’t exhaust me sometimes. The thought of an endless litany can wear me out to even consider, especially if it’s for a series that hasn’t yet been completed. It happens to me with TV shows that are still being aired (Agents of S.H.I.E.L.D.), with book series that go on long hiatuses between novels (Song of Ice and Fire), and movie sagas that seem as if they will stretch on indefinitely and infinitely (Star Wars). There is something so daunting to me about jumping into a series that is not and may never be truly completed. I have a special place in my heart for series that follow their natural course instead of spinning their wheels ceaselessly. It’s why I loved Parks and Recreation all the way through, unlike The Office which had that weird two season slump that seemed as if it would never end. All that is to say that I have a lot of respect for authors who let stories run their natural course. So without further ado, here are some of my favorite book series!
I’ve mentioned before how much I adore prose that reads like poetry. For years, I struggled to write creatively outside of free form poetry, and I think I carried that affinity for rhythmic flows with me through my adult years. Books like The Virgin Suicides and Song of Achilles have very special places in my heart (and on my bookshelf) because of the lyrical nature of their narrative.
Catherynne M. Valente is the author of my favorite book series, known as the Fairyland Series, and she does lyrical prose better than anyone. The first book of her five-novel arc is titled The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making and when I read it for the first time, I cried like a baby. It has heavy Alice in Wonderland themes, but with more logical rules and a more Arya Stark style heroine. Two of the leads, September and Saturday, are on my favorite female and male character lists, respectively, which speaks to the quality and consistency of Valente’s characterization. I’ve recommended this series more than once on this blog, and I’ll recommend it again here. It’s the most beautiful book series I have ever read, and it connects with me in new ways every time I return to it.
The Raven Cycle
I should probably stop writing about this series on what is starting to feel like a weekly basis— I think it’s starting to make me look a little one-dimensional. But honestly, it’s just that good. I love these characters like they’re my own children and I may or may not have a massive fan-cast post sitting in my drafts at this very moment.
In the past year or two, I’ve found myself with a growing appreciation for really solid characterization. One of my first posts on this blog was about my pet peeves in female characters, and it was entirely too easy to come up with specific examples for all of those annoyances. I have such a soft spot for flawed characters that a reader can still identify with– no Mary Sues or manic pixie dream girls or excessive wish fulfillment roles. The Raven Cycle has some of the best characterization I’ve ever come across, especially considering the sheer number of characters that are important throughout the course of the four books. Every single one of them is dynamic and unique, with their own set of flaws and weaknesses and desires. It’s nearly impossible not to connect with them, because their humanity emanates from every page of the books. Maggie Stiefvater, like Valente, is an incredibly talented author who possesses a huge capability for writing goosebump-inducing prose. Her work has a lyrical nature that is so deeply embedded with nostalgia and longing.
Six of Crows
So this was a recent read for me, and not something I was expecting to enjoy, much less devour. This duology takes place in Leigh Bardugo’s Grishaverse, which was a trilogy I was sorely disappointed by. To my slight frustration, Six of Crows and Crooked Kingdom take place after the Grisha trilogy and are set in the same world, so they are far more enjoyable for readers who are already familiar with the Grishaverse. There are many references to places, people, politics, and Grisha knowledge that would largely be lost on readers who hadn’t previously read the Grisha trilogy.
With that being said, Six of Crows excels in all the ways that the Grisha trilogy fell short for me. The characterization is spot on, the interactions are natural, the representation doesn’t feel like an afterthought, and the action is plausible and immersive. Bardugo’s writing feels like it came a long way between Ruin and Rising and Six of Crows, even though they were only a year apart. I read the e-book version of Six of Crows, and picked up the sequel, Crooked Kingdom, the instant I was finished with the first one. It’s rare for me to enjoy an e-book so much that I buy a hard copy, but I purchased the hardcover versions of both books immediately after completing them.
I really only had two qualms with the duology: the ages of the main characters, and the immersion of the settings. The first is a simple shortcoming, but it’s one that many other readers struggled with as well. The MCs are just too young to be believably engaging in the activities that they do (I wont say much on the topic for the sake of avoiding spoilers). My second complaint, however, is more of a personal preference. I’ve always been deeply impressed by Bardugo’s world-building– she crafts incredible political tensions, governmental structures, layered intrigue, and wholly viable geographics. But for some reason, I struggle to really visualize and immerse myself in her individual settings. From the Ice Court to the Crow Club, I always find her descriptions a bit lacking for my personal taste. I noticed the same thing in the Grisha trilogy, and can’t help but find myself a little disappointed by her visuals (or lack thereof).
Six of Crows/Crooked Kingdom was also my first experience with a duology. The fascinating thing about duologies as opposed to trilogies is that the middle of the full story arc falls in between the two books, as opposed to the second book of a trilogy. For people who love a good cliffhanger, this is a wonderful treat, and Six of Crows pulls it off splendidly. The turn at the end of the first book propels the entire story forward in a huge way (again, vagueness in the interest of spoilers). Jodi over at Publishing Crawl has a great post on how to successfully manage this format, for anyone who might be interested.
All in all, Six of Crows has been my favorite read of 2018 thus far. It’s like Oceans Eleven meets Rogue One, and I highly recommend it to anyone who loves a good heist story. Bonus: I’m a huge sucker for good fan art, and this duology has an abundance of it ♥
The Lord of the Rings
Oh Tolkien. How do I love thee, let me count the ways. Much to my embarrassment, I still haven’t gotten around to picking up The Silmarillion, which I know would give me even more reasons to adore Middle Earth. I’ve mentioned in the past that I first read The Lord of the Rings trilogy when I was ten or eleven… and that I really struggled with it. I wasn’t allowed to watch the movies unless I read the books, so I did my best to slog through the seemingly endless litany of names and places. Subsequently, for much of my high school and college years, I thought I just wasn’t a fan of Tolkien’s writing style. But then, I picked the series back up last summer for a re-read. And I fell in love with Middle Earth all over again.
What a master of his craft Tolkien was. I think it’s safe to say he was one of the single largest influences on the fantasy genre, and that his work impacted the literary sphere in an incalculable way. Tolkien created an entire language during the process of breathing life into Middle Earth, a feat that baffles me to this day. While his prose can be dense and his world is whitewashed, it’s impossible to not appreciate the scope of his creativity and ingenuity. Merry and Pippin will forever be some of my favorite literary characters, and I honestly hope I come back as a hobbit in my next life.
A Song of Ice and Fire
Similar to The Lord of the Rings, A Song of Ice and Fire is nothing short of a massive undertaking. World building is seldom seen to the extent that Martin utilized for this series. Between his family houses, generational history, and plotted maps, he has crafted a vastly impressive world over the past 15 years. I’ve discussed before that I feel as if the books and the show are best as companions to each other rather than standalones, and I’ve also discussed in detail my issues with some aspects of the series. While I’m not sure if this book series is necessarily one of my true favorites, I’m including it here for one reason: continuity.
For four books, Martin blew me away with his skill at connecting storylines and bringing loose ends together. I can’t even wrap my head around how much work it must take to maintain a chronological stream of narrative told by a litany of different characters. I often wonder if he has an entire wall full of names and strings and time lines, or maybe a life size chess board with different characters on different squares. While I didn’t really enjoy the latest book, A Dance with Dragons, it was still thrilling to see how the big picture is starting to form. Pieces are falling into place in slow motion, and it’s incredible to think of the amount of foresight Martin must have had from the very beginning to be able to mesh so many stories together now.
So here’s my deal with the Harry Potter universe: at this point, I think it’s become far too dragged out. The original seven-book series was pure undiluted magic. Bringing the schoolbooks to life was brilliant. Pottermore and Harry Potter World were strokes of genius. But it’s started to feel like overkill. I was one of the very few who enjoyed reading The Cursed Child, but even I can agree that it felt a bit like a money grab. And now, a whole new movie series revolving around the tiny Fantastic Beasts textbook feels rather gratuitous, especially with the addition of Ilvermorny and a whole new set of houses. (But to be fair, Newt Scamander is my precious angel baby who I love more than life.)
However, Harry Potter was (and remains) a spectacular feat and one of the most immersive examples of world building I have ever come across. The amount of creativity and ingenuity it takes to pull an entire world from the ether is flooring. Spells, potions, transfiguration, magical laws and occupations, transportation, wand lore, and creatures were materialized at our fingertips. Growing up in a hyper-conservative religious household, Harry Potter was strictly forbidden due to the magical themes. I didn’t have the opportunity to read the books until the summer before I left for college, and since then I have re-read the series every year. I think it speaks to the skill with which they were written that they are just as enjoyable to read at age 24 as they are at age 11. J.K. Rowling has one of the most creative and inspired minds of our time, and it’s nothing short of an honor to have such magical books in our lives.