Spotlight on Cinematography: Shades of Green

I haven’t published a post about it yet, but as I mentioned in a previous post (and in just about every other place on this blog), I absolutely adore color in film. I love seeing how it functions as a plot device and how it sends subtle messages about what is happening onscreen. Color sets moods and drops hints and amps up aesthetics. To pay homage to my love for color in film, I’m kicking off a series of posts all about certain colors in certain frames. I won’t be talking much in these posts, but rather just letting the stills speak for themselves.

So without further ado, here’s seven shades of green.

amelie
Amélie (2001) || Bruno Delbonnel (DP)
batman forever
Batman Forever (1995) || Stephen Goldblatt (DP
american fable
American Fable (2016) || Wyatt Garfield (DP)
atonement
Atonement (2007) || Seamus McGarvey (DP)
big fish
Big Fish (2003) || Philippe Rousselot (DP)
hero
Hero (2002) | Christopher Doyle (DP)
the shining
The Shining (1980) || John Alcott (Photographed By)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s